Mai-Ly (
formidable) wrote in
sweethymns2016-05-13 10:52 pm
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Mι∂ηιgнт Ɠяιη∂
![]() Private AU/PSL RP. A tale of two brothers from alternate 1879 France, and the witch, her golem, and other colorful characters, who get entangled in their lives. Urban fantasy, steampunk, magic, guns, and coffee collide. ➢ "La Caravane". |
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And seeing him like that... That didn't sit right with you did it?
At least he's not there anymore then.
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[ An attempt to articulate this with his hands, here. ]
...Mature? About it. Like it was really normal, you know. Do you want to know what I asked him?
[ His laugh, this time, is a bit more subdued. ]
I asked him if he was playing hide and seek, and all he said was "if so, I guess you found me".
He was...I guess he was thirteen. So, if he seems cold... don't get too mad at him, okay?
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[There's a difference between being resigned and mature wasn't there? Iona says that to herself, but she isn't so sure. She shakes her head.]
I don't know if I'd be mad. It's kind of weird, but I don't get angry very often.
[It's true that the brothers have yet to see anything resembling fury on her part. Irritation, frustration, yes, but rage doesn't seem to be a part of Iona at all.]
So the way I am, it might just be weird to him too.
[Suddenly, the eerie stillness of the air is broken with someone humming. It's so faint that Iona has to freeze, breathing quietly to see if they can both catch that voice.]
Did you hear that?
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[ Gus says with some finality, as if that's that. He also knows that Claude doesn't like liking people, but that's something else they'll discuss sometimes else...
...because holy shit, someone else is here. His shoulders draw up, alert. ]
Uhhh, yes, yes I did. Either we're hearing things, or someone very weird is down here.
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But it's hurting Iona's head and she clutches her forehead with one hand.]
Oh, god DAMN...!
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[ The rest is cut off when a similarly searing pain splits across Gus's skull, and he devolves into a stream of French curses, one hand instinctively reaching to try to support Iona while the other grapples with the wall. ]
—Come on, we need to find a place where the voice doesn't echo as much...!
[ Or else they'll suffocate under it, he fancies. He tugs Iona to the side, brows furrowing over narrowed eyes as he realizes that they've come to a fork in the passage: one leads up, the other further down. ]
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[She means the fork in the passage. They are not ready for that next level, not without really knowing with what they're dealing with.]
We're going back, okay Gus? We'll figure it out on safer ground.
[(Because any further down, they might lose each other, they'll get lost if they don't keep their hand to the level of their eyes.)]
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[ And he rummages in his pockets for it, so sure that he's come So Prepared for adventure...
...except. He isn't??? So much for that. ]
...It's in my other jacket pocket!
[ Which one, though, he has so many... the point here is that he looks very distressed as he starts heading back in the direction they came, with Iona in tow. The doge is foiled again... ]
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Yeah, I think we'll take that as a sign.
[How is it that the singing voice is so beautiful, so ethereal, but so maddening? Iona's frustrated that she can't confront it, not without getting the bigger picture. Back to where they come from then and the voice becomes fainter and fainter as they go further away.]
I'll seal the mirror in the room. Whoever is down there is gonna have to find another passage.
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So here he is, pitching facefirst onto a pile of old jackets as Iona seals off the entrance to the basement dungeons. Like a big dog, he just. Lies there, limbs starfished and his voice muffled through thick fabric. ]
I don't want to dieeeeeeeeeeee. [ WOW GUS ]
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That said, when she's done, she flicks his hair playfully with two fingers.]
Well, don't spend the rest of your life being eaten by jackets at the very least. C'mon, I'm gonna have to ask Oren about this.
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"... Singing."
He even just left it at that. No extrapolation, no elaboration. Well, sure they're in an opera, but there was no one on stage, much less singing. Was his hearing just good too? He does ask Claude one question.]
Singer. She auditioned?
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Or, well. Semi-important, if his one-word jabs at Gus can be considered as such.
He turns in his seat discreetly, well aware that Oren is still invisible. ]
Mm. In a way, I suppose— she was 'referred'. [ Suggested as their first choice, by some twist of fate. Strange, since she'd been a complete no-name before that. ]
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[High compliment coming from a rock.]
Taught well.
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[Iona bounds down the path towards her golem and Claude, nearly breathless.]
Before either of you make a comment, no we didn't do anything illegal. On the other hand, we might have a teeny tiny problem?
[JUST. TEENY TINY ITSY BITSY.]
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Claude leans on his armrest, looks back and forth between Iona and Gus.
And sighs. ]
I'd like to take a hard pass.
[ CLAUDE????? ]
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What's that supposed to mean?! Besides the problem here is that we got a creepy crawly underneath the building!
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[ He says, full well knowing that the 'police' are a bunch of corrupt, inefficient fools.
Meaning: 'why do we have to get involved???' ]
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That is unless you're used to phantoms.
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We can't go a single outing without conjuring some demon from the underworld, it seems.
[ Meaning: OK FINE INVOLVE ME IN YOUR BUSINESS WHY WON'T YOU!! ]
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We're gonna be Phantom Hunters.
[ Does he get a badge??? Tell him he gets a badge. ]
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[She IS trying to be low key!]
Whoever or whatever's down there is gonna be nasty if we press on too quickly. And it might be a better idea to do some investigating. Who knows what's been going on behind the scenes now that we have an idea that there's more to the opera building, right?
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I'm inclined to agree. There's no moving forward if we're lacking in information.
[ Green eyes closed, he speaks with measured pauses. Considering his options carefully. ]
I have some contacts I can refer to. Some of the architects that worked on renovations of the opera house are clients of mine. Gossip is cheap.
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[Oren interjects with an interesting suggestion.]
By someone else. Not family.
[OREN!?]
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That's good! I think I can also add that you should make sure the questions are asked outside of the building.
[The witch looks back and forth and then up at the ceiling. Taking a step to the balcony railing she looks up into the rafters and the grand chandelier.]
Can't say he isn't listening right now even...
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