Mai-Ly (
formidable) wrote in
sweethymns2015-06-09 01:01 pm
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Mι∂ηιgнт ιη Ƥαяιѕ
![]() Private AU/PSL RP, set anywhere from 1879 alternate history France to 21st century North America. A tale of two brothers and the witch and her golem who gets entangled in their lives. Urban fantasy, steampunk, magic, guns, and coffee collide. ➢ "La Caravane". |
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Drink water. Good after all that champagne. Iona, how much?
[Iona let's out a sheepish chuckle.]
"Less than you think, more than you hoped?"
Not an answer.
"Let's just say I could handle a Bulldog and some tequila shots even after tonight. I won't try that of course!"
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[ In perfectly good spirits, Gus teeters over to Iona and cranes waaaaay over to see if he can rest a chin on her shoulder, which is difficult considering their height difference. Sometimes this dumb baby giant forgets how tall he is, especially when he's a tiny bit tipsy. ]
Iona! I want to try that. What's a bulldog?
[ Needless to say, he hasn't caught on to the party following behind them, and is effortlessly maneuvering the group towards a more discreet location where no one will see him stumbling... he hopes. ]
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[Oren's just gonna. Lightly take Gus by the shoulder to pull him back and let him straighten himself out. Of course.]
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[ The street they turn into is much narrower, only wide enough for two people to walk side by side comfortably. That in itself isn't alarming, given that Claude's walked through these side alleys more times than he's ever cared to count, but the sudden quiet and the fact that he hasn't quite been paying attention pulls him back into some semblance of caution; there's a lingering footstep that doesn't line up with any of theirs, and it occurs to him that this isn't the greatest idea that they've had, to file out in one conspicuous group like this.
He cuts himself off, and turns towards the corner they just turned. ]
—Miss Iona. I think it may be a good idea if you, Auguste, and Oren go on ahead. I think I need to take a moment.
[ He follows that up by mouthing 'followed', then 'probably', and then a motion that indicates 'I'll try to take care of this'.
Says the surgeon with about 15 glasses of champagne in him, but hey. ]
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... Okay. We'll go on ahead.
[And she mouths back, 'I'll be back.' The witch then takes Gus's hand to pull him forward.]
Let's speed up shall we? But Claude better catch up too.
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He doesn't have an argument for that (doesn't want to, in many respects), and he clams up, shoots his half-brother a similar look that says that he's not happy about this, before turning on slightly-wobbly feet to maneuver down the alley.
Claude relaxes incrementally, and flashes Iona one of his gently inscrutable smiles again. ]
One too many champagnes, I suppose. Don't worry about me, run along.
[ Followed by another silent mouthing of: 'you have 45 seconds, at most.' ]
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Iona, (who isn't part of the bubble) before letting go of Gus's hand, holds it with both of her own as if trying to give him some reassurance.]
Looks like our trip back to the Grind is going to have to be well earned, huh?
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He sighs, then brings both of Iona's hands to his lips, presses her knuckles against them like a mock prayer. ]
Sorry. [ This is the first thing he says, bluntly, earnestly. He's never had a hard time appreciating or apologizing. ] Are you gonna go back?
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[Iona smiles warmly at Gus and pulls out one hand to hold out her pinkie.]
Pinkie promise! It's the kind I'm not allowed to break.
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[ He does feel guilty, under all his jokes and smiles, but he takes the pinky and twines it with his own; it's not the time to make her comfort him, right now. ]
Come back soon, I already miss you.
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Oren is silent before he speaks to Gus.]
Not angry. Expected as much. Will be fine.
[Wow, Oren, are you actually being nice???]
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—Aghh! I wanted things to be good, you know? Without any of this.
[ Muffled sighing by Oren's feet, here... though he appreciates the kind words. Wow, Oren...!!! ]
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Can't help, but stand out.
[not helping...]
Cares about both of you.
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He looks up from where he's cradled his head in his knees, and looks up at Oren with a trace of a grin. Just to cheer things up a little again. ]
'Cares', huh.
Iona does, or you?
[ tesing u oren, u big mommy ]
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She takes care of who she can. I help her do so.
[It's as simple as that for the golem even if his connection with Iona is fraught with odd complications.]
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So, after a beat: ]
Can I ask a question?
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Ask.
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It goes to the tune of: ]
If Iona told you to die, would you?
[ And for a moment, his expression borders on what might be expected of a young man brought up to possibly be a ruthless leader: evaluative, serious. It comes and goes, though. ]
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She felt so weightless as her blood created a pool beneath her.
Her flesh was so fragile and he was beginning to see the light go out of her eyes.
This shouldn't have been any different. He and Berna had seen so many lights like Iona's go out in an instant, a moment that flows by quickly like a rushing river. But for the first time in many years, this moment slows down, painfully, fearfully, aggravatingly because this WAS different.
And although it would take him long time to admit this to her, in that moment he plunges his hand into his chest to reach his inner being, he wasn't thinking and he wasn't thinking about Berna.
He did it for her.
And thus, Oren replies.]
Doesn't have to ask.
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It hurts a little to see it, it reminds him a little of something that's close to home.
But he's the one that asked, and he has to be satisfied with that answer. ]
...That's the way it is, huh. [ A long exhale, and Gus sits down against the wall. ]
Well, let's hope Claude's taking good care of her, then. I don't want to be the last man standing here.
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That being said, Iona's definitely not having any complicated thoughts right now as her heels click on the ground as she trots briskly back to Claude. Oh yeah, she's still wearing a dress... And without another thought, she unzips the skirt. Because yes. It was designed with that practicality in mind. THANKS OREN! Underneath, she sports a pair of dark shorts and she sighs.]
Well. Can't be a princess forever.
[She folds up the skirt and she's pretty sure she's near to where Claude is now; the witch hides behind a wall from a nearby alley to assess the situation before jumping in.]
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Where's the woman you were talking to at the party?
Ah, I'm sure I wouldn't know which. If you wanted to ask her for a dance, you've missed your opportunity, I should think.
Don't play dumb, 'Aubert'. She's the one who was sighted a few days ago, isn't she? The one with the—
—God, don't bore me. Can't you see I've had enough of all of you for one night?
—Tch, watch your mouth. Don't think that your last name entitles you to anything, failure.
[ That last statement is cut off with a sigh: Claude's, as if he's heard this a thousand times before. ]
...I'm telling you to piss off.
[ And that's uncharacteristic of Claude, the foul language. But it's also followed by the unmistakable click of a revolver. Not Claude's. ]
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[Time is of the essence. Iona looks around trying to find a higher vantage point. Yup, found one. There's some crates to climb up to a nearby window ledge and if she times it right...!
Okay, screw timing, she's going for the, "What the fuck?" here. And that's exactly what happens.
There's a rustling of cloth coming from the ledge, something comes floating down, down, down...
The ballgown skirt drops right on top of the stocky and large man, obscuring his view with ruffles and layers of lace.
What the fuck.]
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What the fuck.
Claude is appropriately flabbergasted for the second it takes him to recognize whose dress it is that's come out of nowhere, and he'd almost be inclined to laugh— was Iona wearing anything under this?
But a second man is stepping out of the shadows, followed by a third, and Claude isn't properly equipped to deal with this right now. Sadly, he's not much when it comes to fighting. ]
I'll be going, then—
[ Is what he tries to say, with a turn on his heels. That's cut short, though, by gunfire and the unmistakable sensation of a bullet grazing his arm.
Bastards. ]
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—Whoops! That's gotta hurt.
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