Mai-Ly (
formidable) wrote in
sweethymns2015-06-09 01:01 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
Mι∂ηιgнт ιη Ƥαяιѕ
![]() Private AU/PSL RP, set anywhere from 1879 alternate history France to 21st century North America. A tale of two brothers and the witch and her golem who gets entangled in their lives. Urban fantasy, steampunk, magic, guns, and coffee collide. ➢ "La Caravane". |
❇ MIDNIGHT GRIND ❇
[The return to the Midnight Grind is peaceful and without incident. When Oren opens the doors for Iona and the two returning guests, the cafe lights up as if giving its greetings to the owner. Iona collapses on a nearby sofa seat while Oren pushes a table towards her along with two seats. He gestures to the Aubert brothers with the poise and composure of an practiced servant.]
Take a seat. Will return with refreshments.
Door will be too difficult to find. No fear.
[And with that, Oren disappears into the back kitchen, leaving Iona with the two brothers.]
no subject
While Gus sulks for a bit, Claude hangs his jacket on the nearest coatrack, adjusts the collar of his shirt, and settles into a chair. ]
When I told my brother to enjoy himself [ he says, with just a hint of edge to his tone ], I didn't mean for him to enjoy himself so much.
no subject
[Iona straightens up her back, with her opposite hand clutching her crystal arm. It retains its normal appearance, but to her, it always feels heavy causing a slight imbalance in her physical structure.
She glances at Claude and then at Gus, clearing her throat before she speaks up.]
So... Where should I start? I could start with an apology if that's what we want to get out of the way here.
no subject
Gus frowns a little. ]
Claude filled me in, so you don't have to apologize. [ Gus elaborates, elbow on the table and chin in one hand. ] ...What about you? Don't you want one? An apology, I mean.
no subject
Well... I guess that'd be appropriate? [She's someone who takes responsibility for her own actions as much as possible. Being a witch was already a guarantee of facing danger one way or another.]
I mean, I wasn't entirely worried about getting into trouble as I was getting out of it IF it happened. Which it did. And we got out of it. [SHRUG
she really should be more worried c'mon]However, I do think an explanation is in order. I prefer that over an apology. Like, how and why you're so important in Paris to the point where people know your name and why do shady assholes try to kill you in broad daylight?
[She glances at Claude.]
I guess that's a reason to keep a doctor around though.
no subject
I apologize, then, mademoiselle. For putting you in danger, and for my lack of candor.
[ That sounds like something Claude would say, but Gus relaxes after a beat, lets the tightness in his shoulders recede. ]
—Long story short, our family owns most of the Northern half of Paris. That's why some people know me, and the others want to kill me.
[ A beat. ]
That was way shorter than I thought it would be, wow.
no subject
... Although, basically that means that 1879 Paris is basically like a huge real life version of Epic Mafia. Sort of. Hm.
[She sighs, looking more sympathetic as she tugs at a strand of her hair. And then she opts to untie her ponytail altogether, letting the untamed waves and curls fall where they will.]
You know, that almost explains how the both of you have been able to find the door to my place though.
no subject
[ That reference flies over his head, but her second statement is a little more cryptic than that one. The two trade looks, and Gus relays their curiosity. ]
—And why's that?
no subject
Let me put it this way; you have to have some sort of sixth sense, magic, or an incredibly sharp eye to notice the door's existence. The both of you share that last trait since even normal people are able to have a radar for the abnormal. But... Hm. How do I put this...??
[This space had existed for a long time after all, probably older than both her and Oren combined; he just happened to find it first when he was with Berna and the duo had decorated the door themselves.
When Iona took over, her magic filled the space and it was with absolute purpose. A strange sort of Envisioning that reached out to others.]
... The purpose of my cafe is to provide a place of solace. For people like me, the magickind, those gifted with abilities, or... [Cue Oren, with a tray of cups and a pot of fragrant tea. It's placed on the table and he returns to the kitchen.]
... Or people who aren't human at all. It's kind of tough, trying to hide your true nature, so might as well relax in a place that's abnormal as you, right?
[She chuckles sheepishly, as if embarrassed.] What I'm saying is, is that both of you were probably looking for a place to get away from the stuff you deal with on a self-conscious level. I mean, I barely set foot out there, and already I could tell it's highly stressful to live that sort of life. Running from guns, shouldering what I can only assume is a hell of a lot of responsibility.
[A beat.]
Does that make sense, or am I just running my mouth here?
no subject
But he doesn't let that show, and he defers the reaction to Gus, who thinks about it, considers it, and accepts it like he does so many things, veracity of the claim aside. ]
That makes sense. [ Is his reaction, liberal and without judgment. He even grins, a bit of that Golden Retriever look returning on softened features. ] This place is pretty comfortable, I concede to that!
no subject
[While the playfulness is present in her voice, she's beginning to be more subdued as she continues. Hesitant.]
But yeah. Basically, I'm a witch and I used my magic to shape this place into what it is right now. It's been a crazy few years, running this place, what with a bunch of unique characters entering my cafe, let and right. [She takes the pot on the table and pours the tea into the cups.]
If either of you are worried about me interfering in your lives, it won't be a problem. I can't follow you out once you shut the door behind you. It'll always return the person holding the doorknob to their place of origin.
Kinda silly huh? I have to wait for people to come here, but then they can leave and there's a high chance I'd never see them again.
[Despite the inherent wistfulness and sadness in her voice, she manages to give the brothers a smile, full of sincerity and joy.]
But that's why I was really happy to see you both again. Repeat customers are the best!
[And honestly, she's been blessed with some great repeat customers, the ones who would give her great memories even when they're eventually gone and she would remain.]
no subject
(And, to some extent, he's bad at choosing: he has heart, a sharper mind than he likes to let on, but he hasn't grown up. Claude grew up too fast and Gus still has a difficult time choosing between aliases— add the two and maybe they'd be able to balance each other out. If only.) ]
The solution's simple, come on. I just have to keep on wanting to see you, and I'll end up here. Right?
1/2
He can't even deal.
(Iona's safety is his first and utmost priority and it's clear to him that this is one of the least safe things ever!!) Whatever, here's your tea sandwiches losers.]
no subject
Uh, yeah, I guess that kinda works, but, um... [She waves her hands back and forth as if saying, "No, no, no!"]
I mean, I just told you that I'm a witch right? I mean, this is my cafe, but even that doesn't guarantee that weird stuff happens sooner or later; it's a magic thing so...
[Wait, why is she even insisting on making him rethink this? Iona's not sure herself, but she's probably so used to having to keep a certain distance from shorter lived people.]
no subject
If his sandwich-eating looks a little more vehement than usual, forgive him.
Gus, on his end, happily digs into his coffee and shrugs as lightly as can be expected on him, because he knows, on some level, the futility of transient relationships. People die around him all the time. ]
You also saved my life. And, even if I never get to see you again, I'll still remember what you did. Don't tell me not to!
no subject
It makes her glad to be alive.]
Thanks, Gus. Even if I tried, I have a feeling it wouldn't work.
[Claude, don't think she's been ignoring you for one second.]
Uh, Claude?? No input? Seriously? Not even thinly veiled sarcasm???
no subject
[ There it is, there we go. For once, he isn't smiling his infuriatingly placid smile. ]
Auguste's made himself abundantly clear. I've no doubt you don't need my input on the matter.
no subject
[Iona stands up and then reaches over with her left hand to... Pinch Claude's nose.]
Boooooo. Weak sauce.
[then she lets go!!]
no subject
So all he does is lean back in his chair, fold his hands on his knees. Nerd. ]
Come, come. Surely you don't mean to say that you want to be showered with validation— I'm trying not to undermine Auguste's words with my own, I've been told everything I say sounds mildly insincere.
[ GEE
WE ALL WONDER WHY ]
no subject
[Sweet girl, but incredibly crude language.]
Ah, never mind. I guess what I wanted to say in the first place is that I'm sorry both you and him got involved with me. I wasn't planning on using any magic whatsoever, but. Here we are.
Uh, I hope no one out there is gonna ask about that by the way... [Is that too much to hope for...]
no subject
(Note how Claude avoids using the word 'brother', he regrets saying it in the 'heat' of the moment when they came back, really.)
But. There's that slightly morbid smile on the elder Aubert's face when Iona mentions someone asking about her arm. ]
Doubtful. They'll be looking into it extensively by now, I imagine.
[ Claude must you do this ]
no subject
That said, guess we'll all lay low then? I doubt they're gonna find out much because even in my own environment, I'm the only one who has this kind of arm. So freak of nature among even the weirdos.
no subject
[ He sips his coffee, reaches inside his jacket with a free hand to inspect something that looks like an even more antiquated version of a beeper, one that glows faintly in his hand when he presses a switch on the side. ]
—And me, I see I've already been approached by unsavories who'd like me to operate on your arm.
[ He says this like he's saying he just got a message about someone's dog who just had puppies. ]
no subject
Oren. Stand down.
[Silence. Iona coolly looks at the device and then at the brothers.]
I stopped a bullet. Scapels won't even leave a scratch.
no subject
Aaaaalright, alright! Sorry, Claude has a morbid sense of humor...
[ He shoves the rest of his sandwich into his mouth to buy time, and append: ]
What he's trying to say [ not that Claude will contest to misinterpretation ], is that there are bad people after you and he'll know about it. Yeah?
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/3
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)